Sunday, 29 January 2012

The Doodle Line








Drawings inspired by story ideas ...

More recent work...

                                          






Various recent works - I'm not being very selective here - and they all might get worked upon. Just very frustrated with the weather!! Windy, wet and dark. Don't mind cold, even snow ok. Wind very annoying but tolerable. But no light, freezing rain and very strong wind - especially up near Kinder - no thanks. Saw Alan Thompson exhibition at Stockport Art Gallery - he's out there on the Low in all weathers, in his 70s! Such pared down, skilful & lovely paintings. http://www.bbc.co.uk/arts/yourpaintings/artists/alan-j-thompson
Met writer, 'Curragh Sons' musician & artist Sean Wood, who writes for the Tameside Advertiser, recently. Won a useful box of oil paints via a competition in his WildLife column (well I didn't win really, but he very kindly gave me the paints anyway!) . He has small but perfectly formed Badger Gallery, in Padfield, where he does painting/ writing workshops with food & drink & childrens' painting mornings - great idea for a kid's party. He is very charming & makes v good coffee. There you go Sean - all 4 of my followers will read this! (Plus a few others).

Another one....

Work in progress. Need to go back here - weather's been impossible.

And another.

This is a work in progress. Bit of a departure - don't usually bother with trees & it's turned out kind of stylised. Love the bare branches against the sky this time of year. Poured glue and powder paint, plus oil paint.

Saturday, 12 November 2011

October-November


Langdale

Scotland - Highland pass

The Pike, Shelf Moor


Blackden Edge, Edale Moor 


Over Hollingworth Clough-Composition


Over Hollingworth Clough

View to Burnt Hill
The first image, Langdale, came about by my having seen a beautiful Georges Roualt etching at the Hepworth Gallery in Wakefield. Seeing the deep, rich black of the aquatints made me long to have access to etching facilities and make monochrome images with dark, dramatic blacks, as I sometimes managed to do in my Leeds Poly & Chelsea Art school days... experimentation resulted in my using PVA and black powder paint, and has inspired further monochrome pieces. I think that I am beginning to be able to be more expressive in my markmaking.  In the Over Hollingworth Clough Composition, a collage and paint piece, unfinished, based on a painting in situ, I am beginning to move away from a purely representational approach, wanting to emphasise the amazing sculptural, undulating form of this landscape, between Matley Moor & Kinder, which continues to fascinate me - this time of year more than ever as the late afternoon light reveals the form and the gorgeous autumn colours and makes the clefts dark & mysterious.